MacConnal Mason

Myles Birket Foster, RWS (1825-1899)

Warks Burn, Northumberland

Signed with monogram. Also signed, inscribed and numbered
No.2 on a label attached to the backboard
Pencil, Watercolour and Bodycolour on Paper
17½ x 35¼ inches – 44.5 x 89.5 cms

Provenance: with Agnew's, Manchester;
Abraham Haworth, Hilston House, Bowden;
Thence by descent
Literature: "The Art Journal", 1861, p.174;
J. Reynolds, "Birket Foster", London, 1984, p.77
Exhibitions: Probably London, The Royal Society of Painters in Watercolours,
"Summer Exhibition", 1861, No.7;
Manchester, "Royal Jubilee Exhibition", 1887, No.1296;
Probably Nottingham Castle, "Pictures of the British School in Oil and Watercolours", 1896, No.109
Artist Biography: Myles Birket Foster was born in North Shields, 4th February 1825, the youngest but one of seven children, to a Quaker family that moved to London in 1830. Apprenticed first to Ebenezer Landells, a wood engraver, he left to set up by himself in 1846 and worked as a book illustrator for “Vizetelly”. In 1852-54 he was sent to the Rhine to make drawings for “The Rhine and its Pictorial Scenery”, published in 1856, and “The Upper Rhine”, published in 1857. It was the successful sale at auction of these drawings in 1861 that helped establish Foster’s reputation as a painter. In 1866 and 1868 Foster travelled to Venice, producing a series of views of the city and also paintings of the Italian lakes

Foster moved to Whitley in 1861 where his house, “The Hill”, contained works by Edward Burne-Jones, Dante Rossetti and William Morris, and a group of watercolours by J.M.W. Turner. He had two studios, one for oils, of which he exhibited thirteen at the Royal Academy between 1869 to 1881, the other for watercolours, of which three hundred and thirty-two were exhibited at the Royal Watercolour Society, having been elected an associate of the old Watercolour Society in 1860, and a member in 1862.

However, Foster is best known for his work following his move to Whitley, scenes of rustic genre, featuring children in idyllic landscapes, or before half-timbered country cottages, scenes extolling the beauty and charm of rural life, painted in a distinctive, stippled technique.

His works can be found in museums in: Aberdeen; Birmingham; Glasgow; Manchester and London, Victoria and Albert Museum, which also contains a number of documents relating to him.

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