MacConnal Mason

Gustave Loiseau (1865 - 1935)

La neige, environs de Pontoise

Signed and dated, lower right: G. Loiseau. 05
Oil on canvas
21⅜ x 25½ in – 54.3 x 65 cm
Framed size
28½ x 32⅝ in – 72.5 x 83 cm

Provenance: Galerie Durand-Ruel, Paris (acquired directly from the artist on 2 December 1905);
Durand-Ruel Galleries, New York, 1906;
(Possibly) W. G. Glackens Collection, 1912;
(Possibly) Dr. A. C. Barnes Collection, Philadelphia;
Durand-Ruel Galleries, New York, 1913;
Marlborough Fine Art Ltd., London, No.01106;
Maurice Edelman MP Collection, London (acquired from the above in the early 1950s);
Private collection, UK
Literature: To be included in the forthcoming Gustave Loiseau Catalogue raisonné being prepared by Didier Imbert Exhibitions: Krefeld, Kaiser Wilhelm Museum, 28 May - 21 July 1907, No.89; Paris, Grand Palais, Salon d'Automne, No.152;
Manchester, The Manchester City Art Gallery, Exhibition of Modern French Paintings, 10 December 1907 - 31 January 1908, No.210;
Hanover, Hannover Kunstverein, 24 February - 30 April 1911, No.450;
New York, Durand-Ruel Galleries, Paintings by Ricardo Canals and Gustave Loiseau, 3 November 1923, No.12;
Pittsburgh, Gillespie & Co., 1 February - 1 March 1925; New York, Durand-Ruel Galleries, Exhibition of Paintings by Gustave Loiseau, 11 November 1925, No.2;
Geneva, Galerie Motte, Loiseau (1865-1935) Maufra (1861-1918), 1 March - 13 April 1955, No.9
Artist Biography: Gustave Loiseau was born in Paris, 3rd October 1865; he was to become one of the foremost of Post-Impressionist painters. Following his military service and having worked for the family firm, Loiseau visited Pont Aven in 1890, where he worked under the tutelage of Paul Gauguin (1848-1903), following the latter’s return from his first visit to Tahiti.

Although taught by Gauguin, Loiseau was a disciple of Claude Monet (1840-1926), adopting a Post-Impressionist style that owed a significant debt to Monet, seen clearly in his views along the Seine, his portrayals of the cliffs at Dieppe & Étretat and the towns and landscapes of the Dordogne Valley.

In 1893 Loiseau first exhibited in Paris at the Salon des Indépendants and in 1895 at the Salon Nationale. By 1894 the Parisian dealer Durand Ruel had taken up Loiseau, a dealer renowned for his work with the first generation of Impressionists. Loiseau was a great traveller, painting throughout France but was drawn primarily to Normandy, the Dordogne and Paris, unlike many of his contemporaries the heat and light of the Mediterranean coast held few attractions.

Loiseau lived for much of the latter part of his life in Paris by the Quai d’Anjou, painting views and scenes of life in the city. His work was and is widely collected, with patrons throughout Europe and the United states by the early years of the 20th century.

His works can be found in museums in: Madrid, The Thyssen Museum; Versailles; Atlanta; New York, The Metropolitan Museum of Art.

MacConnal-Mason Gallery specializing in the finest quality English and European 19th Century and 20th Century paintings

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